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	<title>Music vs. Theater</title>
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		<title>Review: Little Match Girl Passion &#8211; Death Speaks</title>
		<link>http://blog.musicvstheater.com/2012/01/28/littlematchgirlpassion/</link>
		<comments>http://blog.musicvstheater.com/2012/01/28/littlematchgirlpassion/#comments</comments>
		<pubDate>Sat, 28 Jan 2012 23:44:18 +0000</pubDate>
		<dc:creator>Brian Rosen</dc:creator>
				<category><![CDATA[Reviews and Criticism]]></category>
		<category><![CDATA[BryceDessner]]></category>
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		<category><![CDATA[NicoMuhly]]></category>
		<category><![CDATA[OwenPalett]]></category>
		<category><![CDATA[SharaWorden]]></category>

		<guid isPermaLink="false">http://blog.musicvstheater.com/?p=1733</guid>
		<description><![CDATA[To get to Dinkelspiel Auditorium for an 8pm concert on a Wednesday requires leaving San Francisco at 6pm, an hour to get to Palo Alto fighting traffic all the way, and then another 45 minutes to an hour to fight the crowds to get a scarce campus parking space. Things will be different when Stanford [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The worst music ever written</title>
		<link>http://blog.musicvstheater.com/2012/01/14/badmusic/</link>
		<comments>http://blog.musicvstheater.com/2012/01/14/badmusic/#comments</comments>
		<pubDate>Sun, 15 Jan 2012 00:20:42 +0000</pubDate>
		<dc:creator>Brian Rosen</dc:creator>
				<category><![CDATA[Essays and Analysis]]></category>
		<category><![CDATA[Reviews and Criticism]]></category>
		<category><![CDATA[BadMusic]]></category>
		<category><![CDATA[ChloeVeltman]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[TheShaggs]]></category>
		<category><![CDATA[VoiceBox]]></category>

		<guid isPermaLink="false">http://blog.musicvstheater.com/?p=1731</guid>
		<description><![CDATA[A couple of weeks ago I recorded an episode of VoiceBox with Chloe Veltman about the worst vocal music ever written. While preparing for the show I did my best to try to analyze the nature of &#8220;badness&#8221;, perhaps even creating a taxonomy of characteristics that contribute to bad music. The goal was to not [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Is Sondheim Classical?</title>
		<link>http://blog.musicvstheater.com/2011/12/11/classicalsondheim/</link>
		<comments>http://blog.musicvstheater.com/2011/12/11/classicalsondheim/#comments</comments>
		<pubDate>Mon, 12 Dec 2011 01:51:38 +0000</pubDate>
		<dc:creator>Brian Rosen</dc:creator>
				<category><![CDATA[Essays and Analysis]]></category>
		<category><![CDATA[BenjaminBritten]]></category>
		<category><![CDATA[Bernstein]]></category>
		<category><![CDATA[Classical]]></category>
		<category><![CDATA[ElissaMilne]]></category>
		<category><![CDATA[LawrenceKramer]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[PeterGrimes]]></category>
		<category><![CDATA[semantics]]></category>
		<category><![CDATA[Sondheim]]></category>
		<category><![CDATA[twitter]]></category>
		<category><![CDATA[WestSideStory]]></category>

		<guid isPermaLink="false">http://blog.musicvstheater.com/?p=1722</guid>
		<description><![CDATA[The Australian Broadcasting Company recently released a list of the &#8220;Top 100 Classical Pieces of the 20th Century.&#8221;  As with any list, there is much fodder for discussion, debate and derision (judging from this list, Stravinsky apparently stopped composing after 1913). Blogger, pianist, and educator Elissa Milne was particularly disturbed by the complete omission of Sondheim&#8217;s [...]]]></description>
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		<slash:comments>4</slash:comments>
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		<title>Glacial is the New Black: Satyagraha and Shen Wei</title>
		<link>http://blog.musicvstheater.com/2011/12/05/satyagraha/</link>
		<comments>http://blog.musicvstheater.com/2011/12/05/satyagraha/#comments</comments>
		<pubDate>Mon, 05 Dec 2011 18:52:04 +0000</pubDate>
		<dc:creator>Brian Rosen</dc:creator>
				<category><![CDATA[Reviews and Criticism]]></category>
		<category><![CDATA[Dance]]></category>
		<category><![CDATA[glaciers]]></category>
		<category><![CDATA[minimalism]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[pacing]]></category>
		<category><![CDATA[ParkAveArmory]]></category>
		<category><![CDATA[PhilipGlass]]></category>
		<category><![CDATA[Satyagraha]]></category>
		<category><![CDATA[ShenWei]]></category>

		<guid isPermaLink="false">http://blog.musicvstheater.com/?p=1711</guid>
		<description><![CDATA[Somewhere imprinted in my brain is a sacred rule of story: take only as much time as you need to get an idea across. Get in, make your point, get out. Keep things moving and don&#8217;t lose your audience. But this week in New York two separate pieces, both non-narrative, reduced me to tears by [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Thoughts on Robert Ashley&#8217;s &#8220;That Morning Thing&#8221;</title>
		<link>http://blog.musicvstheater.com/2011/11/22/thatmorningthing/</link>
		<comments>http://blog.musicvstheater.com/2011/11/22/thatmorningthing/#comments</comments>
		<pubDate>Tue, 22 Nov 2011 22:46:14 +0000</pubDate>
		<dc:creator>Brian Rosen</dc:creator>
				<category><![CDATA[Essays and Analysis]]></category>
		<category><![CDATA[language]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[Performa11]]></category>
		<category><![CDATA[RobertAshley]]></category>
		<category><![CDATA[ThatMorningThing]]></category>
		<category><![CDATA[TheKitchen]]></category>

		<guid isPermaLink="false">http://blog.musicvstheater.com/?p=1702</guid>
		<description><![CDATA[Composer Robert Ashley&#8217;s &#8220;opera&#8221; (experimental performance piece is a more appropriate name, although if an opera is a multifaceted convolution of music, text, and motion, I suppose this is an opera) That Morning Thing, produced for the first time in 40 years at The Kitchen as part of the Performa 11 biennial, is among the [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Hey look! I&#8217;m a muse!</title>
		<link>http://blog.musicvstheater.com/2011/11/05/hey-look-im-a-muse/</link>
		<comments>http://blog.musicvstheater.com/2011/11/05/hey-look-im-a-muse/#comments</comments>
		<pubDate>Sat, 05 Nov 2011 07:53:57 +0000</pubDate>
		<dc:creator>Brian Rosen</dc:creator>
				<category><![CDATA[Announcements]]></category>
		<category><![CDATA[Stuff About Me]]></category>
		<category><![CDATA[ChamberMusic]]></category>
		<category><![CDATA[KenMalucelli]]></category>
		<category><![CDATA[RichterScales]]></category>

		<guid isPermaLink="false">http://blog.musicvstheater.com/?p=1700</guid>
		<description><![CDATA[I first saw the name Ken Malucelli when I purchased the CASA christmas songbook in 1993 (all arranged by Ken and Deke Sharon). Years later Ken was one of the judges at the Harmony Sweepstakes competition when a subset of The Richter Scales performed a set of original songs I had written. (We closed with [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>TONIGHT: The latest from my opera</title>
		<link>http://blog.musicvstheater.com/2011/11/02/wordsfirst/</link>
		<comments>http://blog.musicvstheater.com/2011/11/02/wordsfirst/#comments</comments>
		<pubDate>Wed, 02 Nov 2011 20:37:34 +0000</pubDate>
		<dc:creator>Brian Rosen</dc:creator>
				<category><![CDATA[Announcements]]></category>
		<category><![CDATA[Stuff About Me]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[counterpulse]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[production]]></category>

		<guid isPermaLink="false">http://blog.musicvstheater.com/?p=1698</guid>
		<description><![CDATA[If you&#8217;re in San Francisco tonight and interested in hearing some brand new music, swing by Counterpulse at 7:30 to hear a brief excerpt of the latest from my solo opera Failing That. The section I&#8217;ll be performing was composed in the past few months and shows the early scenes involving a middle school student [...]]]></description>
		<wfw:commentRss>http://blog.musicvstheater.com/2011/11/02/wordsfirst/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>A new unit of time: The Wagner</title>
		<link>http://blog.musicvstheater.com/2011/10/17/a-new-unit-of-time-the-wagner/</link>
		<comments>http://blog.musicvstheater.com/2011/10/17/a-new-unit-of-time-the-wagner/#comments</comments>
		<pubDate>Mon, 17 Oct 2011 08:06:06 +0000</pubDate>
		<dc:creator>Brian Rosen</dc:creator>
				<category><![CDATA[Announcements]]></category>
		<category><![CDATA[Stuff About Me]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[futility]]></category>
		<category><![CDATA[math]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[science]]></category>
		<category><![CDATA[Wagner]]></category>

		<guid isPermaLink="false">http://blog.musicvstheater.com/?p=1693</guid>
		<description><![CDATA[After a full evening of writing music, I am proposing a new unit of time. The Wagner (abbreviation Wg). One Wagner is equal to one thousand minutes, approximately the length of the entire Ring Cycle. Here are some useful conversions: 1 day = 1.4 Wagners 1 year = 511.35 Wagners 1 minute = 1 miliWagner [...]]]></description>
		<wfw:commentRss>http://blog.musicvstheater.com/2011/10/17/a-new-unit-of-time-the-wagner/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>OK. Just ONE Steve Jobs anecdote.</title>
		<link>http://blog.musicvstheater.com/2011/10/06/stevejobs/</link>
		<comments>http://blog.musicvstheater.com/2011/10/06/stevejobs/#comments</comments>
		<pubDate>Fri, 07 Oct 2011 00:25:01 +0000</pubDate>
		<dc:creator>Brian Rosen</dc:creator>
				<category><![CDATA[Stuff About Me]]></category>
		<category><![CDATA[Doh!]]></category>
		<category><![CDATA[Pixar]]></category>
		<category><![CDATA[SteveJobs]]></category>

		<guid isPermaLink="false">http://blog.musicvstheater.com/?p=1683</guid>
		<description><![CDATA[Having worked at Pixar since 1993, I have quite a number of Steve Jobs stories. Most of those I keep well within the confines of the building or my close friends, but this is one that I think really exemplifies Steve. (Names and email addresses have been changed.) In the early days of Pixar, Steve [...]]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>The creepiest thing ever&#8230;</title>
		<link>http://blog.musicvstheater.com/2011/10/03/the-creepiest-thing-ever/</link>
		<comments>http://blog.musicvstheater.com/2011/10/03/the-creepiest-thing-ever/#comments</comments>
		<pubDate>Tue, 04 Oct 2011 04:54:44 +0000</pubDate>
		<dc:creator>Brian Rosen</dc:creator>
				<category><![CDATA[Reviews and Criticism]]></category>

		<guid isPermaLink="false">http://blog.musicvstheater.com/?p=1680</guid>
		<description><![CDATA[What&#8217;s creepier than the Teletubbies? Teletubbies in slow motion with a Arnold Schoenberg soundtrack. (Warning, if you&#8217;re easily spooked, you should probably watch something a little less creepy. Like &#8216;The Ring&#8217; or &#8216;Saw III&#8217;.) Tweet This Post]]></description>
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		<slash:comments>0</slash:comments>
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